If the dream is, as Sigmund Freud pronounced, “the liberation of the spirit from the pressure of external nature, a detachment of the soul from the fetters of matter,” there is a trance-like quality to the works in this exhibition that manifests itself in sinuous lines, vivid spray-painted colors, iridescent, amorphous forms, and the otherworldly glow of light against glass. Together, they create fictions that disturb, unsettle, and hypnotize all at once, simultaneously luring and rooting the viewer into a state of in-betweenness that mirrors the artists’ own navigations in and out of the contradictions, ambiguities, and dualities of the spaces they inhabit.